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The Pit Bull in the China Shop

Sarah Palin vs. Pit Bull

Sarah Palin vs. Pit Bull

At last the American right and left have one issue they unequivocally agree on: You don’t actually have to read Sarah Palin’s book to have an opinion about it. Last Sunday Liz Cheney praised “Going Rogue” as “well-written” on Fox News even though, by her own account, she had sampled only “parts” of it. On Tuesday, Ana Marie Cox, a correspondent for Air America, belittled the book in The Washington Post while confessing that she couldn’t claim to have “completely” read it.

Going Rogue” will hardly be the first best seller embraced by millions for talismanic rather than literary ends. And I am not recommending that others follow my example and slog through its 400-plus pages, especially since its supposed revelations have been picked through 24/7 for a week. But sometimes I wonder if anyone has read all of what Palin would call the “dang” thing. Some of the book’s most illuminating tics have been mentioned barely — if at all — by either its fans or foes. Palin is far and away the most important brand in American politics after Barack Obama, and attention must be paid. Those who wishfully think her 15 minutes are up are deluding themselves.

The book’s biggest surprise is Palin’s wide-eyed infatuation with show-business celebrities. You get nearly as much face time with Tina Fey and the cast of “Saturday Night Live” in “Going Rogue” as you do with John McCain. We learn how happy Palin was to receive calls from Bono and Warren Beatty “to share ideas and insights.” We wade through star-struck lists of campaign cameos by Robert Duvall, Jon Voight (who “blew us away”), Naomi Judd, Gary Sinise and Kelsey Grammer, among many others. Then there are the acknowledgments at the book’s end, where Palin reveals that her intimacy with media stars is such that she can air-kiss them on a first-name basis, from Greta to Laura to Rush.

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The Persecution of Sarah Palin

Sarah Palin's overwhelming vindictiveness is apparent throughout "Going Rogue."

Maybe in their business lives, conservatives are the stern, unforgiving masters of capitalist lore. But when it comes to politics, oh, do they love a whiner!

It is her mastery of the lament that explained former Republican vice presidential candidate Sarah Palin‘s appeal last year, and now her knack for self-pity is on full display in her book, “Going Rogue.” This is the memoir as prolonged, keening wail, larded with petty vindictiveness. With an impressive attention to detail, Ms. Palin settles every score, answers every criticism; locates a scapegoat for every foul-up, and fastens an insult on every critic, down to the last obscure Palin-doubter back in Alaska.

From Ms. Palin’s masterwork, we learn that the personal really is the political. Every encounter with a critic seems to be a skirmish in the culture wars, from the Alaska debate moderator who didn’t play fair once to the “wealthy, effete young chap” who ran against her for governor but who, in one of the quickest transitions from anti-snob to snob in all of literature, is also said to have served as “our limo driver at [her husband] Todd’s cousin’s wedding.”

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